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Simone Fernando Sacconi

Community Outlook July 1973:

When Fernando Sacconi died last month, practically all important world papers carried news of his passing. Point Lookouters had a more personal relationship with him than most others were privileged to enjoy.

Last year Mr. Sacconi had a book published "Secrets of Stradivari" in Cremona, Italy, the birthplace of Stradivari (and also of Fernando Sacconi).

His dedication was thus -
Teresita Pacini Sacconi
Faithful companion
Who with intelligence and love Imparted life to my swork.

In his book, Mr. Sacconi tells of his love for Point Lookout - the location, description of his home, built some 30 years ago, his garden, flowers and fruit trees which he planted years ago. He was happy to work in his laboratory in the tranquility of his home. Here he had all the necessary tools and chemicals for the making of his own violins.

He restored many priceless stringed instruments belonging to notable artists. He had the opportunity to restore these instruments with tenderness and love as a mother would care for a sick chilcl. He was head of the violin department of Wurlitzer, Inc. since 1950. He was involved in the delicate craft of violin making all his life and was especially interested in the repairing of the great instruments of the 17th and 18th centuries by the Italian masters. Last year Mr. Sacconi was made an honorary citizen of Cromona.

He is survived by his wife, Teresita, his son Gasper and grandchildren, Cecilia and Thomas.

Hilda Steffins (partly by translation from Mr. Sacconi's book).

Simone Fernando Sacconi (Rome, May 30, 1895 - Point Lookout, June 26, 1973) was an expert Italian violin maker and restorer who studied fellow luthier Antonio Stradivari extensively during his lifetime.

"While still at school he became a workshop assistant to Giuseppe Rossi, a pupil of Degani. By the time he was 16, Sacconi already had his own clientèle, and a particular ability as a maker of copies. In 1931 he moved to New York to work for the dealer Emil Herrmann. He continued to make new instruments – and occasionally bows – but his time there was mainly taken up with repairs and restoration work. In this field he had no equal, an example of his work being a Stradivari of the best period, virtually destroyed in an accident in 1948, which now shows no sign of having suffered. In the imitation of old Italian varnish he excelled all rivals.

In 1951, upon the invitation of Rembert Wurlitzer, Sacconi went with his pupil D’Attili to work for Rembert Wurlitzer Co.. A first-class workshop was built up and many of the best American repairers were trained in it. In his last years he spent much time teaching in Cremona, Italy, and published I segreti di Stradivari (Cremona, 1972), setting out in detail Stradivari’s working methods." - CHARLES BEARE

His constant experiments with varnish was almost an obsession. He was one of the principal organizers of the Stradivari Bicentennial Exhibition in Cremona in 1937. Sacconi won gold medal for a quartet of instruments.[1] In 1972, he was bestowed honorary citizenship by Cremona (the highest honor).

Sacconi has directly influenced several generations of makers/restorers: Charles Beare, Max Moller,Pierre Vidoudez, Dario D'Attili, Hans Weisshaar, Anthony Wrona, Jacques Francais, Frank Passa, Bernard Millant, Mario F. D'Alessandro, Harry Duffy, Renè Morel, William Salchow, Hans Nebel, Vahakn Nigogosian, Carlos Arcieri, David Segal, Carleen M. Hutchins, Francesco Bissolotti, William J. Huggler, Ronald J. Huggler.

Through his disciples (such as Jacques Francais / Renè Morel), he has influenced makers/restorers such as Samuel Zygmuntowicz, Horacio Piñeiro, Boris Sverdlik, David T. Van Zandt, James N. McKean, Christophe Landon, Richard Oppelt, from the shop of Hans Weisshaar came Otto Karl Schenk, David Burgess, Tom Wilder,Andreas Mages (Germany) Bruce Carlson (Italy), Wendy and Peter Moes to name a few.

Many celebrated musicians came to him for advice and entrusted him with their precious instruments when they needed attention. List includes Isaac Stern, Yehudi Menuhin, Salvatore Accardo, Pina Carmirelli, Pablo Casals, Paul Doktor, Pierre Fournier, Zino Francescatti, Joseph Fuchs, Raya Garbousova, Carlo Maria Giulini, Bruno Giuranna, Franco Gulli, Charles Libove, Erica Morini, André Navarra, Ruggiero Ricci, Leonard Rose, Toby Saks, Alexander Schneider, Janos Starker, Henryk Szeryng and Uto Ughi were just some of the top musicians who either purchased or had their treasured instruments maintained by him.

His main publication was 'I segreti di Stradivari', translated into many languages and sold worldwide.

"Simone Sacconi is recognized as one of the important contemporary violin makers. His book explains the construction techniques used by Stradivari with clarity and precision. It is considered an indispensable reference for both the professional and novice violin maker." -[2]Eric Blot

"Sacconi was described as a "Hero of the art of violinmaking". -Andrea Mosconi [3]

"Every detail absorbed his complete attention" - Carlos Arcieri

"Described by many expert artisans as an exalted beacon of contemporary restorers and conservators"

"....one of the greatest violin maker/ restorers of our time, Simone Fernando Sacconi." - Wanna Zambelli